This was the first day off I’ve taken in months, I think. I took a bottle of whiskey and a bottle of lemonade and some Cesar Aira novels to the beach and I sat by myself and got a little drunk and watched the small whitecaps.
Your lip color is on point. What is it?
Um, Nars Heat Wave layered over Stila Beso with a bit of gold glitter on top!
Noted & noted. Please continue killing it on the reg. with your adorable selfies & commitment to the bold lip.
Have you considered the possibility that your best friend, neighbor, room mate, sibling or dear old parents might slip suddenly towards the macabre? Try your hand at the whimsical practice of super-villain phrenology; it’s our best testing method aside from testing their blood for phlogiston…
You will need access to a printing mechanism, shears, some adhesive paste and 5 uninterrupted minutes. I wish you the best of luck.
THIS IS WHAT I AM GOING TO DO AT THE LIBRARY ON MONDAY
Rushmore (1998), dir. Wes Anderson
hard to tell as someone embedded within gender, but i think it would be a world where people lived their lives without their behavior or bodies or the histories of those behaviors or bodies being seen as having a bearing on each other or on their relations to others in an organized or total way. a world where anyone can slip into and out of anything like warm and comfortable clothing. i don’t see it as possible without communism or communism as possible without it.
if you’re asking how that will happen, a destruction of structures of gendering and sexing by a women’s vanguard. a spiritual destruction to the greatest extent possible but also a literal physical destruction of literal edifices. the gentle death of the western nuclear family and marriage, of heterosexuality. in the immediate term, i think we could do worse than an end to workplace discipline, an end to prisons, an end to legal sanction of marriage, an end to laws and social norms tying mothers to children and women’s lives to motherhood, and an end to recognition or documentation of ‘biological sex’
As I discussed in an earlier post, pre-Comics Code comic books are full of fascinating women superheroes who’ve been more or less forgotten in the decades since WWII. Born in the era of Rosie the Riveter, when there was a national campaign to get women into workplaces, these costumed heroines were brassy, hard-assed, snarky, and sometimes just plain weird. They displayed remarkable grit and independence, and were portrayed as better crime-fighters than the inept, sexist cops that got in their way.
Even removed from their intriguing, important place in sociocultural history, these stories are compelling bits of pure comics nerdery - eg, the fact that 1941’s Spider Queen was almost certainly the unacknowledged inspiration for Spider-Man. These characters deserve to be better known. Happily, the astonishing www.digitalcomicmuseum.org hosts full-issue scans of scores of public domain pre-Code comics. Which means you can read these comics right now, for free!
Here are a few of my favorite lost superheroines from the 1940s. Click on a character’s name to access an archive of their adventures!
FANTOMAH - Arguably the first woman superhero, and to this day one of the strangest. Fantomah is a near-omniscient (blonde) jungle spirit with incredible magical/psionic powers. She is always threatening her enemies with “a jungle death!” and she turns into a green skull with beautiful hair when she’s angry.
LADY SATAN - Sometime Nazi-killer, sometime occult detective, Lady Satan roams the land in her stylish automobile, using gun, garrote, and fire magic to take out Reich agents and child-snatching werewolves.
MOTHER HUBBARD - Looking like a cartoon witch, speaking only in rhyme, Mother Hubbard uses her bizarre occult powers to battle everything from fifth column saboteurs to Disney-esque dwarves that steal kids’ eyeballs.
THE WOMAN IN RED - A gun-toting jujitsu expert, the Woman in Red is a sort of costumed private detective. She’s the bane of both criminals (especially those who prey on women) and inept male cops. But to the women she saves she’s quite…tender.
THE SPIDER QUEEN - A chemistry lab assistant becomes a wise-cracking costumed herowho uses wrist-strapped web shooters to swing around the city and tie up bad guys. But this is 1941, and our hero is a woman.
THE VEILED AVENGER - Although she’s the frilliest-looking of 40s superheroines, the Veiled Avenger might be the hardest. She uses her crop to make criminals shoot each other…and themselves. And in her civilian life as a District Attorney’s secretary, she scolds dumb cops who endanger witnesses.
Sadly, these heroines all disappeared by the 1950s. As the national project of getting women out of the workplace took hold, bold self-sufficient superheroines became scarce on the ground. Despite some great work by amazing artists over the years, comics still doesn’t have enough of them.
[And now, a plug: I’m working on a longer piece on these heroines, and on some other stuff you might find interesting. You can learn more about all that here.]
Gotta get hold of some of that Mother Hubbard stuff! She looks awesome!
I love of all these (except the “jungle spirit” part of Fantomah, I think changing the backstory and her ethnicity would be really cool though), and some of these designs are excellent. (And I wonder if Stan Lee read the Spider Queen when he was younger now >_>) I’d totally love to see a resurrection of these characters. They could be a really cool superhero team! I really like the Woman in Red from a glance, because she helps women and I think we need more heroines like that. (Part of why I like Nancy Drew.)
I’m really digging Lady Satan